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    VISUAL ARTS

    Equilibria

    Presented by and University of Texas at San Antonio at Terminal 136

    June 1 - June 17, 2017

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    Equilibria

    Siblings, Lisa and Thomas Choinacky meld their current work practice in Equilibria, a reflective and meditational space in which lines diverge and unite to create pathways that trace the past, present, and future. Maintaining a balance and equity, these pathways weave together abstraction, structural studies, and symmetry.  Acting as a guide, Equilibria is an opportunity for self-reflection as both the domestic and the public overlap with the individual and collective. 

     

    Lisa Choinacky (b.1974 South Bend, IN) lives in Austin, TX.  She exhibits nationally and is affiliated with Northern Southern Gallery. Her painting process has evolved into her meditation practice—in which all work is done in one sitting—as she explores connectivity, symmetry, & relationships. Her current body of work involves ink on paper and is inspired by Morton Feldman’s piano compositions.

     

    Thomas Choinacky (b. 1984, South Bend, IN) lives in Philadelphia and is a company member of the experimental theater collective Applied Mechanics. His current artistic practice deals with the relationship between architecture, body, and movement. From a nine-hour durational performance viewable through a peephole, to a voyeuristic journey through each room of an apartment, to his single stroke tennis ball paintings that externalize internal movements of the body into symmetrical spatial patterns, Thomas crafts spatial experiences in performance. 


    Terminal 136

    136 Blue Star, San Antonio, TX 78204
    San Antonio, Texas 78204

    Full map and directions

    Admission Info:

    Free


    General Day and Time Info:

    With performances by Thomas Choinacky on both Thursday 6/1 and Friday 6/2, in the covered area in front of the gallery at 8 p.m.



    Phone: 210-458-4391


    Accessibility Information: Currently, no accessibility information is available for this event.

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