Kataleena Garrett (b. 2002) is a contemporary artist living and working in San Antonio, Texas. Through painting and drawing mediums, her work is reflective of mindfulness practices and her multicultural heritage. She is currently interning with Olivia and Cruz Ortiz at Casa Pink as a Studio Assistant. Additionally, she is an active member of the San Antonio Ethnic Art Society (SAEAS).
Kataleena’s work has been exhibited in many local San Antonio galleries, by her dedication to taking part in the creative community. Her work has been featured Flight Gallery, UT San Antonio group shows, the Beacon at Midtown, Slab Cinema Arthouse, within 1906 galleries, and the San Antonio Art League by nomination.
In Fall 2025, she earned her BA in Fine Arts degree with a minor in Business Administration. By graduation, she received two exhibition awards for meritorious work amongst undergraduate students. The artist’s work is represented in the private collections of Jesse Amado and Diana Rocha.
Artist Type: Multi-Disciplinary: Multiple Art Forms; Visual Arts: Mixed Media Artist, Muralist, Painter
Artist Style: Visual Art: Contemporary, Portraiture
Artist Medium: Acrylic; Colored Pencil; Drawing Media; Oil
Of those that have begged to begged to be seen, I ask myself how I will notice. My name is Kataleena L. Garrett, an emerging visual artist working in San Antonio, Texas. I create 2D representational works of figures grounded in traditional methods surrounded by experimental elements. As a young woman born of multicultural heritage, developing in the diaspora, my work investigates the intersection of identity. I honor the traditions and legacies of Black, Latino, and LGBTQ+ communities by affirming their right to sovereignty.
Working primarily in oil, acrylic, and drawing materials, I blend naturalistic approaches with more experimental and intuitive measures. My work explores color and symbolism to evoke the vulnerabilities and determination of figures. Recently, I have also expanded my practice by inviting the manipulation of found objects as both material and language. These additions act as cultural motifs, framed by their relevant spiritual and historical attributes.
My work is intimate and reflective, contingent on being truly present to cultivate a more meaningful life. I am deeply influenced by various indigenous perspectives on mindfulness, in addition to the analysis of infrastructure through an intersectional lens. These influences have cultivated a running theme in my work, exploring the mental and physical influences on people. By investigating the results of impermanence associated with structures meant to offer stability. It is my intention that my work offers the opportunity to re-encounter everyday scenarios with deeper respect and empathy.
Harnessing the innate connection to all things, I honor the duality of a subject, through their role, energy, or actions performed. By utilizing the stories of the communities surrounding me, I capture moments that reflect the times. My practice depends on remaining present, working from life to cultivate genuine exchange and understanding. Through these visual and material gestures, I ask viewers to invite more presence to their own life, concluding the human right to experience life fully.