Join us for a talk with Spring 2022 residency Guest Curator Marcela Guerrero. Guerrero recently spent time visiting Texas for studio visits to select the Spring 2022 Texas-based resident artist.
During this talk, Guerrero will tell us about her curatorial practice, her experience during last month's studio visits in Texas, and more.
About Marcela Guerrero
Marcela Guerrero is Assistant Curator at the Whitney Museum of American Art, New York. Recently, she was part of the curatorial team that
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Join us for a talk with Spring 2022 residency Guest Curator Marcela Guerrero. Guerrero recently spent time visiting Texas for studio visits to select the Spring 2022 Texas-based resident artist.
During this talk, Guerrero will tell us about her curatorial practice, her experience during last month’s studio visits in Texas, and more.
About Marcela Guerrero
Marcela Guerrero is Assistant Curator at the Whitney Museum of American Art, New York. Recently, she was part of the curatorial team that organized Vida Americana: Mexican Muralists Remake American Art, 1925-1945. In summer 2018, Guerrero curated the exhibition Pacha, Llaqta, Wasichay: Indigenous Space, Modern Architecture. From 2014 to 2017, she worked as Curatorial Fellow at the Hammer Museum in Los Angeles, where she was involved in the much-lauded exhibition Radical Women: Latin American Art, 1960-1985, organized as part of the Getty Foundation’s Pacific Standard Time: LA/LA initiative and guest-curated by Cecilia Fajardo-Hill and Andrea Giunta. Along with Fajardo-Hill, Guerrero curated the show’s selection of Latina and Chicana artists and wrote the catalogue chapter on Caribbean women artists, along with more than sixty biographical entries. Prior to her position at the Hammer, she worked in the Latin American and Latino Art Curatorial department at the Museum of Fine Arts, Houston (MFAH) where she served as Research Coordinator for the International Center for the Arts of the Americas (ICAA). As researcher-in-house, she was in charge of reviewing, vetting, and publishing all primary and secondary sources on the ICAA’s digital archive “Documents of 20th -Century Latin American and Latino Art.” At the MFAH she also participated in the acquisition of artworks from the Caribbean region for the permanent collection. Guerrero’s writing has appeared in a variety of publications including ArtNexus, Diálogo, Interventions: International Journal of Postcolonial Studies, Caribbean Intransit, and Gulf Coast, and has contributed articles to a variety of exhibition catalogues. Born and raised in Puerto Rico, Guerrero received her BA from the University of Puerto Rico, Rio Piedras Campus, and holds a Ph.D. in Art History from the University of Wisconsin-Madison.
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