In March of 2020, in my first solo exhibition, "Overripe” the metaphorical banana serves as a conduit for the narrative of my personal heritage intertwined with the broader stories of neocolonialism, the patriarchy, and other systems of control.  "By Their Fruits Ye Shall Know Them," is a visual narrative of triumph over the chains of religious control, shame, guilt, and purity culture. It encapsulates my personal journey of gaining autonomy over my mind, body, and spirit by delving into my own sexuality and embracing pleasure as a guiding force.

Patriarchy, a force that had once held control over my mind and spirit within the confines of this body of work, is challenged. It goes beyond the traditional art-viewing experience, breaking down the pedestal on which artwork is often placed. I interact intimately with the sculptures, forming a personal connection that goes beyond just observation. This intentional interaction with the sculptures puts me in a space of vulnerability and personal power, allowing me to choose how, when, and in what way I connect with the art—a visual and physical representation of autonomy.

As viewers engage with the artwork I extend an invitation to look at themselves with curiosity and without judgment. This is a space where consent starts with oneself. Autonomy, I've come to realize, requires vulnerability—a daring exploration of oneself without the constraints of religion and the patriarchy.

The dual nature of the bananas in my work symbolizes the exploration of the difference between "good fruit and evil fruit," a journey that, I have found, is fundamentally a matter of consent.

This body of work is an assertion that the difference between feeling bound or free is, at its core, a matter of consent. I hope to inspire reflection on the role of autonomy, consent, and vulnerability in breaking free from oppressive structures and embracing the power and pleasure of our authentic selves.

January 11 through January 28, 2024 - Closing reception January 28, 2:00 PM - 5:00 PM.