T a m a r a   A d i r a

BIOGRAPHY

ARTISTIC DIRECTOR, ARTE Y PASIÓN

tel:  210.241.2771 |   www.arte-y-pasion.com

“Always remembering the masters of flamenco, Adira keeps a keen eye to the future. Bridging both the traditional and the new school, Adira proves to be one of the most creative visions in the South Texas flamenco scene.” – The Rivard Report

Tamara Adira is a dancer, choreographer, and founder/ Artistic Director of Arte y Pasión, a company known for pushing the boundaries of flamenco and Spanish dance and one of the most contemporary Spanish dance companies in the United States whose mission is to share, promote and develop the authentic art of flamenco as a vehicle of healing and restoration, and the promotion of human rights and equality.

This last January, Tamara debuted her project Grito de los Árboles, “Scream of the Trees,” her first full-length flamenco film, in response to the pandemic.  This project would mark a pivotal change in Tamara’s work, now with distanced performances presenting the opportunity to create film, and bring together artists from San Antonio, Spain, France, Los Angeles, and New York.  The film was selected by the Montreal Independent Film Festival.

Tamara Adira collaborated with San Antonio’s Poet Laureate Andrea Vocab Sanderson to conceive and direct Mantas de Luz “Blankets of Light,” a DreamWeek 2020 project. In 2018, Adira’s company Arte y Pasión was picked up by the San Antonio Tricentennial Commission as an official Event Partner for her yearlong project Siete Aguas, and the company was selected to perform in front of the King of Spain’s collection at the San Antonio Museum of Art.  Tamara conceived and directed Sanctorum, a ceremony for the internment of a musical time capsule in honor of the San Antonio College Multicultural Conference honoring the San Antonio Tricentennial SA300.  She has performed for such dignitaries as Ron Nirenberg and First Lady Erika Prosper, Wendy Davis, Joaquin Castro, Julian Castro, the Vice President of Nicaragua and at a Presidential Rally for John Kerry.  She has appeared in such programs as America’s Next Top Model.

Tamara is known for her work across mediums bridging gaps between music, cultures and media.  She had a solo role designed only for her in Darian Thomas’ world Premiere of ((HERE)), performed with SOLI Chamber Ensemble and Poet Laureate Andrea Vocab Sanderson, a piece that tells the story of descendents of slaves in this country. She has also performed with Wayne Holtz opening for Big Freedia, in Oliver Rajamani’s Flamenco India, and Andrea Vocab Sanderson’s Bad Mama Jama Mixtape. She has also performed with such bands as Femina-X, Deer Vibes, and at the San Antonio Youth Orchestra’s Thriller, a tribute to Michael Jackson.

For her work for social justice, Tamara was recently featured in “Valiant Women Then and Now,” a photo exhibit and biography celebrating women, inspired by the book “Revolutionary Women of Texas and Mexico: Portraits of Soldaderas, Saints, and Subversives. ”  She was recognized in December 2020 by SA Monthly Magazine, September 2018 by Eleanora Magazine in Top 50 Women to Watch in Texas, and in the July 2018 Issue of San Antonio Woman. She is 2015 winner of the Artist Foundation of San Antonio Department for Culture & Creative Development award for “Original Choreography” and 2010 winner of the Artist Foundation of San Antonio Bernard Lifshutz Award for “Original Theatrical Production.”

She studied and shared the stage for ten years with her mentor the great master Teo Morca before he passed. The pandemic has given her the opportunity to study regularly with masters from Spain. She currently studies with Daniel Caballero, Belen Maya, Nino de los Reyes, Triana Maciel, Jose Cortes, and La Farruca. She gives back to her community, having choreographed for City Parks and Recreation’s youth groups Fandango and Alamotion, the Say Si Allas Theater, and the North Independent School District.

A graduate of MIT, her early performances and projects have been featured in Undergraduate Research Opportunities Program through the MIT Media Lab and Center for Advanced Visual Studies.  Counterbalancing her studies in traditional flamenco, Adira leverages her experience in experimental and contemporary performance, influenced by her Harvard University residency in a John Cage production.

Tamara is now pursuing her Executive MBA.

Press Kit

https://www.dropbox.com/sh/yv1uw2jgamhdncx/AACuwKHBQDQhFcAqWO2A8w2ra?dl=0

Honors

2021               Featured Soloist: Darian Thomas’ World Premiere of ((HERE)), with SOLI Chamber Ensemble and Poet Laureate Andrea Vocab Sanderson

2021               Featured Soloist: Poet Laureate Andrea Vocab Sanderson’s Bad Mama Jama Mix Tape

2021               Keynote Performance: Mayor Ron Nirenberg’s Swearing-In and Third Term Inaugural Celebration

2021               Valiant Women Then and Now, A photo exhibit and biography celebrating women, inspired by the book “Revolutionary Women of Texas and Mexico: Portraits of Soldaderas, Saints, and Subversives”

2021               DreamWeek Partner, “Grito de los Arboles,” “Mantas de Luz”

2021               SA Monthly Magazine, “Women in Business”

2020               DreamWeek Partner, “Mantas de Luz”

2019               DreamWeek Inaugural Speaker, DreamVoices “The Slingshot of the David”

2019               DreamWeek Inaugural Speaker, DreamVoices “The Rhythm of Your Truth”

2019               DreamWeek Partner, “Estrellas,” Arte y Pasión

2019               DreamWeek Mayor’s Ball, Solo Performer

2018               Luminaria Contemporary Arts Festival Featured Artist, Arte y Pasión

2018               Eleanora Magazine: Texas Top 50 Woman to Watch  

2018               San Antonio Woman Magazine: Featured Artist, Art Beat  

2018               SA300 Tricentennial Events Partner “Siete Aguas,” Arte y Pasión

2017-19         San Antonio Multicultural Conference, Fiesta Commission, Arte y Pasión

2016               Luminaria Contemporary Arts Festival Featured Artist, Arte y Pasión

2016               Season of the Carver Jo Long Theater, Arte y Pasión

2015               San Antonio Artist Foundation Winner “Original Choreography”

2010               San Antonio Artist Foundation Winner “Original Theatrical Production”

2007               Regional Artist Grant, Fayetteville Arts Council, study with Teo Morca.

1990               MIT Undergraduate Research Opportunities Program (UROP)

Award for artistic innovation in a research project

Productions, Artistic Direction

2021               Grito de los Arboles “Scream of the Trees”, a DreamWeek Partner Production, the first full length   flamenco film, produced during the pandemic as a distanced collaboration between artists in San Antonio, Spain, France, LA and New York.

2021               Mantas de Luz: El Diario de Ana Franco “Blankets of Light: The Diary of Anne Frank,” a DreamWeek Partner Production, performed virtually in response to the pandemic before our election, San Antonio TX.

2020               Quarentilla, performed virtually for the Texas Public Radio SA ARTS Telethon to raise funds for artists affected by COVID-19.

2020               Flamenco Entre Dos Arboles, performed virtually and with a small audience in response to the pandemic, from the Arte y Pasión Amphitheater, San Antonio TX

2019               Estrellas, a DreamWeek Partner Production, The Brick at Blue Star Arts Complex, San Antonio TX

2019               Vuelo, The San Antonio College (SAC) Multicultural Arts Conference

2018               Aguitas, Luminaria, The Mexican Multicultural Center Theater, San Antonio TX, San Antonio Luminaria

2018               Frozen Dreams of Blood, Fire, Pecans, Anthem to 1794, Common Currents, Blue Star Contemporary, a San Antonio Tricentennial SA300 event

2018               Siete Aguas, San Antonio Museum of Art for the King of Spain’s Collection, SA300 San Antonio Tricentennial

2018               Sanctorum, a performance-ceremony for the internment of a musical time capsule, the San Antonio College (SAC) Multicultural Arts Conference, SA300 San Antonio Tricentennial

2018               Ole Summer of Spain, The Pearl, San Antonio, TX

2018               Twilight Under the Stars, Performance Benefit for Travis Park, the Saint Anthony Hotel, San Antonio, TX

2017               Tribus, We Flamenco Fest

2017               Frutas del Eter The San Antonio College (SAC) Multicultural Arts Conference

2017               Nascent|Nation, The Brick at Blue Star Arts Complex, San Antonio TX

2017               Estrellas, The Brick at Blue Star Arts Complex, San Antonio TX

2017               Una Flor en el Cruce, The Brick at Blue Star Arts Complex, San Antonio TX

2016               Colores, The Carver Jo Long Theater, San Antonio TX – produced by and on the season of The Carver Community Cultural Center  

2016               Una Flor en el Cruce, Luminaria, The Carver Jo Long Theater, San Antonio TX, San Antonio Luminaria

2016               A Glass of Wine, The Brick at Blue Star Arts Complex, San Antonio TX

2016               Algoritmos, Jump-Start Theater, The Uptown Studio, San Antonio TX

2015               Domingo de Flamenco, Arte y Pasión Studio, San Antonio TX

2014-15        Angel of Gravity, the Uptown Studio, Blue Star Complex, spaces across San Antonio TX

2012-13        Dibujos, Raices de Arte Español, spaces across San Antonio TX

2012               Ventanas, The Little Carver Theater, San Antonio TX

2011               Flamencos, Jo Long Theater, The Carver, San Antonio TX

2011               Arte y Pasión, The Little Carver Theater, San Antonio TX

2010               Generaciones, Jo Long Theater, The Carver, San Antonio TX

Selected Quotes from the Press

“Experimental in nature and visually stunning….a reminder of the healing power of art and a testament to the endless possibilities when art and music collide.” Marco Aquino, Out in SA

…Like an artist’s sketchbooks, Adira’s productions over the years reveal the dancers’ personal and artistic growth. Always remembering the masters of flamenco, Adira keeps a keen eye to the future. Bridging both the traditional and the new school, Adira proves to be one of the most creative visions in the South Texas flamenco scene….”

The Rivard Report

“Having seen Adira perform over the years, she can be described as somewhat of a mysterious figure. Not afraid to appear vulnerable before her audience, Adira turns the “dirt of life,” as she says, into works of art….

….Often performing in slacks, Adira’s onstage persona incorporates both the masculine and the feminine. In the farruca, a dance usually performed by a male dancer, Adira embraces the wholeness of the human spirit dancing with both grace and authority….” – The Rivard Report

“Known for her formidable skills in Flamenco, a powerful, evocative style of dance that originated in Spain, [Tamara Adira] combines her ongoing dedication to traditional technique with her evolving passion for contemporary form and creates unique productions filled with breathtaking moments. Her collaborations with talented musicians, singers, and visual artists have produced some new and unexpected directions resulting in an experimental art form that is rooted in authenticity.” – The Artist Foundation of San Antonio

 “The best female Farruca I have ever seen.” – San Antonio Express News

“visually striking….both daring and innovative. Incorporating elements of flamenco, classical Spanish and contemporary dance…. strong and masculine yet graceful and delicately beautiful.” – The Paisano Magazine

 “[Angel of Gravity], choreographed by Adira for herself and Gaeth, the piece was…infused with the spirit and flair of flamenco…..both dancers wore the train skirt known as bata de cola and used it beautifully to amplify the dramatic movement vocabulary while invoking a story of a deeply affecting encounter between two people.” – The San Antonio Express News

“[Angel of Gravity] sublime, simple, gorgeous, intelligent. So many layers of intelligence. One of the most beautiful performances I’ve ever seen.” – The Artist Foundation of San Antonio

 “….illusive butterfly with the dynamo wings… her dance inspires the rhythm and need to breathe… it inspires the “godsend” relief from inequity…it is pure in form and honest in intent…it is our basic instinct to survive…”. — Melissa Husby, Fine Artist

“Magnificent.” – Marco Aquino, San Antonio Notes